Thomas Zeug
“Florian Linckus always delivers highly ambitious work, and I am happy each time a new song is finished, because I know that it is going to be awesome as always!
I am very pleased that also my audience talks enthused about Florian’s music. His musical drawings provide a strong emotional upvaluation of my (sometimes giggly) movies and radio plays. Each time, I am surprised how good the whole package becomes with an IMP Score!”
Andreas Abb
“I was especially pleased how quick I got a first preview and how thorough optimized each little piece of the music got optimized (…).
Florian Linckus did a really excellent job!”
George Kranz
“Lars has arranged great. Sometimes I asked him where he got those things. He told me, that is within my songs and he just found and elaborated it. At a single blow, it sounds totally different, so I had to ask myself where that comes from.”
(George Kranz about ‘Din Daa Daa Goes Classic’)
Jens Kürschner
“The cooperation with Impressive Music Production was always very professional and at the same time personally. Own ideas were always taken into account and incorporated into the composition. With the musical work of IMP, the corporate video ‘Ökonom Bayreuther Prägung’ got an additional plus factor. I am pretty sure, that the music is also one of the reasons why the project became that successful and lead to another follow-up project (again with IMP).”
GMD Michael Helmrath
“Lars Lange is a skilled and experienced arranger, from whom I can always expect interesting and colorful arrangements.”
Rainer Rubbert
“In 2006 I was commissioned to write the opera ‘Kleist’ for the Brandenburger Theater together with the librettist Tanja Langer (…). Lars Lange proved himself to be an extremely careful copyist. He worked very rapid, accurate and professional on the complex 500-pages score and realized polyrhythmic written passages, contemporary playing techniques or free notation on a very inventive way. Especially when he worked on the preparation of the piano score, which he created independently, I saw his amazing musicality.” (…) “Without Lars Lange’s help, the opera could not have been created with this remarkable musical precision and would not have gotten a finally positive feedback!”
